Annus Horribilis – An Aotearoa Ajeossi’s Antidote

Few would argue against the view that 2016 was a bleak year. So I’m going to celebrate  Dramas that provided moments of relief. On Twitter and Instagram I’m a Happy Harabeoji, here are some of the highlights that helped me stay that way.

This is NOT a “Best of” list. These were my “Happy Pills”. Some were flawed, one was  mediocre (to be kind), but I loved them all for making me smile, and laugh, and swoon.

Contentment

Yeah, That’s How It Is

I’ve already waxed rhapsodic about this outstanding unseen gem, so won’t repeat myself too much. It tops this list because it provided a special kind of pleasure. There were funny scenes, most courtesy of a stellar comic turn by Wang Ji Hye, but the overall feeling it generated was quiet satisfaction, the contentment of knowing that “Yeah, that IS how it is”. 2017 WILL see a rerun of this Drama in my household.

Aesthetics 

Immortal Goddess

NOT a classic for the ages, but still a real highlight of my year. I am even more fond of my beautiful ballet-schooled bias than I am of alliteration, so an entire Drama built around showing just how beautiful she is was addictive ambrosia. The only complete Drama I’ve watched unsubbed from beginning to end, but I understood everything I needed to.

Jimi Ni Sugoi (Pretty Proofreader)

Ishihara Satomi may not have the greatest range as an actor, but she is really, really, really, ridiculously good-looking, and when she smiles, dazzlingly pretty. So a Drama that played to her strengths was a guaranteed winner. Much like Immortal Goddess, the Drama is built around showing off its lead’s beauty. The English title really is a good description of the Drama, it delivers exactly what it says. And that is definitely cause to smile.

Adorable Age Gaps

Beautiful Gong Shim

In a year dominated by Korean Dramas’ repellently creepy ephebophilia fixation, one of the biggest shots of happy came from a Drama with a big OTP age gap but without the female lead either in or eligible for a school uniform. Beautiful Gong Shim suffered from bloat toward the end, but the pairing of Namgoong Min and Min Ah was pure magic. A true ajeossi romance, the thirteen years between them disappeared onscreen, replaced by irresistible fun.

We Married As a Job

This Japanese gem is now my firm favourite in the contract marriage genre, thanks to the leads. Hoshino Gen’s Hiramasa is frustratingly low on self-esteem and awareness, but his gradual awakening is satisfying to watch. Aragaki Yui shines as Mikuri, a gangly bundle of sweetness looking for fulfillment in life and love, and Ishida Yuriko’s Yurichan is all kinds of awesome, a role model for the fifty-ish everywhere. Even the end sequence deserves special mention. It may be the best I’ve ever seen. It’s definitely the most FUN end sequence I’ve ever seen.

Joie De Vivre

Juhan Shuttai

Joie de vivre is literally the very essence of this nearly flawless Japanese Drama. The lead character exudes joy at being alive. It gushes out of her so irrepressibly that it infects everyone she comes in contact with, both characters and viewers. A rare 10/10 in my personal Drama list, there were no villains, but there was a heroine, and watching this cute, perennially happy bear cub grow was a recipe for uncomplicated joy. I am 99% certain that the clip below describes the reactions of 99% of this Drama’s  viewers.

Lame Humour

The Gentlemen of Wolgyesu Tailor Shop

This fifty episode Drama still has sixteen episodes to go, but even though the requisite conflict is starting to seep in as we enter the final third, I don’t recall ever laughing so much through a weekender. I look forward to each new week with almost as much eagerness as I did for Yeah That’s How It Is. Up to this point, it has been a lowkey laughfest The OTP is similarly rare, a slow-burning, muted merging of two very quiet characters. The remove from Drama stereotypes is highlighted by the male lead’s love of puns and similar wordplay, the “lame humour” referenced above. Throw in the unique talents of Ra Mi Ran, and the implausibly cute Lee Se Young and the result is a gentle confection, the Drama equivalent of a hot chocolate with marshmallows. I hope that it ends similarly, leaving me with a warm smile, like the ones it features so prominently.

 

 

 

 

Besides the Dramas above, the biggest Drama-related source of happiness for me has been my bias, Wang Ji Won. 2016 began with her shooting her first film, and ended with her getting a new agency, one I hope will support and promote her much better than her last one did. 2016 was also the year she got her first magazine cover article, which meant that 2016 was the year I bought my first 400 page magazine in a language I don’t know. Letting my bias know I’d bought a copy earned me a second DM from her, which made it a very worthwhile investment. Making a sizeable contribution to a very well thought out gift package was another highlight of my fanboy’s year, and as I look forward to her movie releasing early in 2017, I’m already considering gift options for THAT milestone in her career.

Another reliable source of smiles this year has, once again, been my remarkable Twitter timeline. While 140 characters is not optimal for nuanced and complex conversations, it is a great medium for fun and frippery, and my diverse Twitterati have supplied plenty of both all year, thank you all. A professional polyglot man of mystery with an adorable niece, a pharmacist with a cute nephew, a salty film student in a VERY complex long distance marriage, an itinerant Aussie and a friendly Frankfurter are among those who deserve special thanks for having provided many smiles through the year as victims of my maliciously bad wordplay.

An end of year post traditionally references the year ahead, and my Drama calendar for next year includes checking out two sageuks, a development so shocking I’m surprised Dispatch didn’t break it as front page news. I am interested to see how Lee Young Ae’s return to acting goes in the fusion sageuk written specifically for her, Saimdang. I am also keen to check out the upcoming Hong Gil Dong sageuk, mostly for the talented and beautiful Lee Ha Nui. Fingers crossed she plays the gayageum in it! 2017 might also be the year I finally clear my backlog of both K and J Dramas waiting to be watched.

Other things that have brought this Aotearoa Ajeossi happiness this year have included seeing a lot more of Aotearoa, and getting to play Harabeoji a lot more often. I hope that any who read this have had real life joys and seen Dramas that provided entertaining distractions too. It is a festive time of year, so I sincerely wish everyone a happy, safe and satisfying holiday season. May you be snowed under with happiness, or baked brown with bliss, according to your hemisphere. Ka kite ano, noho ora mai!

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